steinberg axr4 vs apollo

The preamps use differential op-amps to control noise and distortion. Breathtakingly accurate, yet highly musical the VCM technology is the most straightforward approach to analog sound modeling and is now available in the SILK processor on AXR4 hybrid mic preamps and EQ 601 and Compressor 276 both available onboard DSP and Advanced FX Suite plug-in bundle in AXR4. Steinberg USB Audio Interfaces at a glance, Display USB Audio Interfaces from $ 2000 - $ 2500, Go to product group Studio and Recording Equipment, Steinberg Studio and Recording Equipment at a glance, 32-Bit integer/384 kHz recording and playback, 4 x AXR hybrid microphone preamp with Rupert Neve Designs SILK emulation, SSPLL technology for extremely low jitter, DSPX chip and dspMixFx technology for latency-free monitoring with DSP-powered effects, 2 x Mic/Line/Instrument inputs: XLR/Jack 6.3 mm combo, 2 x Mic/Line inputs: XLR/Jack 6.3 mm combo, 2 x Stereo headphone outputs: 6.3 mm Jack, Dimensions (W x H x D): 480 x 45 x 378 mm, Includes Cubase AI with full 32-bit support, Available at short notice (usually 2-5 days), 4 The first thing that you notice is the fact that the AXR4 comes at a size that you can easily fit into a rack. But part of me is like, why not just go UAD and get extra control, for less $$$? He is responsible for the sound design for several major manufacturers including hardware synthesizers. If there's an obvious limit to the professional intent behind the AXR4, it's that there are no RJ45 connectors. In other words, you know this thing is gonna be good. Adjust your studio needs by installing an option card, Comes with Curv, a built-in soft-knee limiter to smooth out irregular sounds, Easily sync everything with Word Clock and Loop Sync I/O, Audio clarity is next level with the AD/DA conversion, Built-in sample rate conversion for versatile digital I/O, Apart from price, everything seems to work fine, It comes with AD/DA standalone converter that can be used to expand other digital gear, DAC technology maintains low distortion to connected headphones while producing massive amplification, An optimized circuit for superior bandwidth, Setup can be expanded to suit your studio needs, Comes with a built-in Thunderbolt connectivity, Temperature controls to keep the system cool, The system delivers transparent sound with minimum hassle via the Hilo converter technology, Comes with a universal power supply and audiophile-grade headphone outs, Plenty of connectivity options thanks to the LSlot expansion feature, Recording and playback options to or from the SD card, You need to use software to change some parameters. This interface looks amazing, to be honest. With the AXR4, however, Steinberg have struck out in a different direction. If you love to record guitar on your tracks, this amp simulator and audio interface seems to be quite a contender at $449. Next level audio production and studio recording, Transfers digital audio data and audio direct to the computer from most sources, 60 audio channels divided into 30 input and 30 output channels, Can integrate with an ARC USB Advanced Remote Control, ADAT, AES, and SPDIF standard for recording mixing and monitoring, TOTALMIX FX gives unlimited routing and mixing. Now if youve been wondering whether its possible to have good looks and functionality all in one the answer is yes.The Apollo Twin Solo and Duo from Universal Audio looks amazing on the desk, and also comes with an array of features for the pragmatic producer. That being said, if the USB-C matters to you, then choose this one for sure. The unit ships with four plug-ins: Vintage Classics EQ601, Vintage Classics Compressor 276, Sweet Spot Morphing Channel Strip (a combination of parametric EQ and compressor), and REV-X reverb. The TOOLS for AXR4U come with a Yamaha Steinberg USB driver component included. To top it off, it even includes built-in talkback! The main ones are: The number and type of inputs and outputs that an audio interface has will matter greatly in the decision-making process.Most interfaces have at least 2 quarter-inch jack outputs to connect to studio monitors, and at least 2 inputs for either a microphone or direct line input. The sleek design and the option to expand are added advantages that you can rarely get within audio interfaces of this range. The end result is reliable and precise converters that require minimal tweaking. If you think Im exaggerating, let's take a closer look at the details. This is very cheap for a rackmount interface with this many I/O options. Ill be honest this is probably going to be my next daily driver in the studio. The integrated pre amps are also great sounding to me. The front panel conveniently, allows you to control recordings and monitor levels as you perform. Not all interfaces are compatible with all DAWs. You havent heard the real power of sound if you havent sampled HD I/O. With a full set of professional connections, including ADAT, S/PDIF, AES/EBU, Word Clock and MIDI, the AXR4 can be expanded with one or two eight channel mic preamps, professional outboard and other equipment, while SSPLL jitter reduction technology guarantees perfect synchronization of all devices. There are two headphone jacks, each controlled separately. First up comes the Behringer U-Phoria UM2. Weight: 4.6 kg. Although a high-end audio interface boasts impressive capabilities, it doesn't mean that your sound will be equally impressive. The AXR4 is equipped with exceptional hybrid mic preamps featuring switchable RND SILK emulation, which can accommodate any kind of microphone. Plus, the multifunctional large rotary control makes control even more intuitive. Its build quality is very sturdy, ensuring durability. However, if you want a stock standard interface that does its job, at this price point it probably doesnt make much sense. STEINBERG AXR4 | Hi-Res Audio Interface with RUPERT NEVE SILK CircuitsThe Steinberg AXR4 Audio Interface is a Rack-Mountable Ultra Low Latency Audio Interfa. Eager to know Universal Audio Apollo X8s secret? The battle for the smartest and most competitively priced audio interface is far from over. Steinberg UR44 Universal Audio Apollo Twin Critic Consensus Common points from expert reviews summarized. AXR4Ts extreme 384kHz/32-bit AD/DA conversion certainly grabs the attention and may be desirable in some very specific circumstances, but it disables useful features for little discernible benefit, so I doubt many users will crank things up beyond the more conventional 192kHz/24-bit digital format. The only issue we had with this device is that the built-in compressors and effects are not enough for a decent result. The dspMixFx utility thus could not be described as beautiful, but the more I used it, the more I warmed to it; although it gives you control over a huge number of AXR4 parameters, it's never intimidating, always clear, and usually defaults to doing the thing you'd want it to do anyway. Are you worried about its life expectancy if you plan to bring it with you everywhere? 4 XLR/quarter-inch inputs with emulated preamps from Neve etc. One of my personal favourites, the Scarlett 2i2 by Focusrite. This unit is pretty cool, but also pretty pricey. These are joined by a wide array of digital inputs, of which up to 16 are available for recording at any one time: two optical ports provide either stereo S/PDIF or up to 16 channels of ADAT-format I/O depending on sample rate, and there is also a DB25 connector, which delivers eight AES3 inputs and outputs. The AXR4 supports sample rates up to 384kHz, at word lengths of up to 32 bits, and employs a technology called Super Suppression Phase Locked Loop to deliver supernaturally low levels of jitter. However, the compact size allows for enhanced portability and it is perfect for musicians who like to record on the go. The AXR4 ensures universal excellence for all recording applications. TOOLS for AXR4T V1.2.x require the latest Firmware AXR4 V1.20 (see below). You get MIDI and World Clock ports, and two Thunderbolt connectors. So if thats you, keep reading on.Theres a lot of terminologies here, so if you get confused, make sure to check out our massive glossary of production terms. Apogee is arguably one of the high-end manufacturers of first-class converters designed for the modern age. The Ensemble Thunderbolt tremendous preamps ensure top-level sounds for audiophile enthusiasts. Its important to note that, currently only Mac drivers are available for the AXR4 but the Windows driver should arrive shortly. The data presented is for information purposes only. The extra headphones socket is great for collaborations, and the extra ins/outs might be exactly what youre looking for. An audio interface with a rich sound filling your studio, integrated with remote control options and real-time effects. Its available in 4 configurations: 26 SE, 88, 1616 and 88+8MP. I use Liquid Death Mountain Waterin my a**hole, Musicians insurance: Everything you need to know about covering you and your gear. This is an advanced interface created by Avid, for use with Pro Tools only. Resources. It spots dual headphone outputs and a preamp gain knob for easy adjusting and filtering. I have never understood why audio interface manufacturers are so reluctant to allow complex interfaces to occupy more than one unit of rack space. This is a high-end professional audio converter for real professionals. Every aspect of the AXR4T is geared toward recording best-quality audio. To top it all off, it does it all while still looking pretty darn good. I think the form factor is much better due to the I/O section being on the back. Apogees reputation is built on the quality of its AD/DA conversion technology and this expertise is at the heart of its Ensemble audio interface (although this maxes out at only 24-bit/192kHz). For starters, the egornomic interface gives you two Thunderbolt ports, a BNC word clock and S/PDIF connectors for Coaxial connections. However, a newer version of the driver for your USB audio interface might be available on this page. If this is okay for you, simply click on "Alrighty!" If you want really top-notch audio quality with the flexibility of DSP and analog emulation, this is quite a bargain, really (considering UADs other interfaces). Whether recording or mixing, the six UAD DSP chips allows running the UAD plugins in real time. Steinberg Media Technologies | LinkedIn. What I do notice, however, is that when running in this maxed-out mode, digital I/O is disabled and the onboard effect processing and VCM SILK emulation are unavailable. While its quite pricey, the features on this are insane. Overall, the design is both sleek and ergonomic. The Babyface Pro FS comes with 4 analog mic/line inputs, as well as optical inputs that include ADAT and SPDIF. RMEs flagship interface. If you have a little more cash to spend, it might be worth it to level up to these interfaces, especially if you want a couple more inputs/outputs or want a bit of a faster connector: Youve probably noticed that the Scarlett range of interfaces shows up a lot here, and for a very good reason. Most low-to-middle end interfaces will be Desktop, while higher-end interfaces will be Rackmount. You might have heard you need an audio interface to produce music. With 32-bit converters, up to 384 kHz sample rate and an ultra-low noise floor, the AXR4 delivers the best sound quality currently available. Although in my opinion, the Scarlett range is worth the extra money. In particular, Neves Silk technology is available for use whilst recording, with your choice of Red or Blue algorithms per preamp. So if youre an experienced producer with the money to spare, this is your interface. The 28 inputs allow many different sources to be connected, while the outstanding Class-A hybrid mic preamps can accommodate any type of microphone, with phantom power available on all four front panel inputs for professional high-quality condenser mics. And, thats not even half of what you can expect from this sound beast. IK Multimedia is a very underrated audio company. RME Fireface UFX II General RME Fireface UFX II audio interface offers good monitoring of sound. Steinberg's interface offers some parallels to the way rivals go about their business too. You can use the level indicators together with the Output and Input knobs for adjusting, switching or parameter selection. Mastering facilities always require the ultimate in sound quality. This means you can control the audio interface using any mobile device. They are outnumbered by digital controls comprising 12 tiny buttons and two rotaries. Item number 483491. The red looks pretty dope though. I won't go through the AXR4's front-panel setup options in detail, partly because life is too short and partly because they are all duplicated in its control-panel utility. We take a look at the newest addition to the family. It has an expensive feel and the chrome knobs just draw you in. The Neve SILK preamp modelling allows a lot of analogue character to be dialled-in to the otherwise transparent mic preamps, and the VCM plugins are well chosen to provide flexible, console-like channel processing; being able to apply these effects within the interface, latency free, and feed them back to performers is of great benefit, too. The Steinberg AXR4T interface is an impressively featured, great-sounding and competitively priced high-resolution audio interface that integrates closely with Cubase. On the contrary, it comes with 8 inputs (4 mic/line and 4 hi-z outputs), 8 analog outputs, 2 headphone and 2 reamp outputs, as well as digital inputs and outputs. For the HD, its the Pro Tools integration that makes this the interface of choice for many engineers. If you're familiar with missed or repeated samples, random clicks, or channel swapping, Verifile is the solution. 32-bit! If you're looking for the go-to audio interface that's sumptuous, with high-resolution audio quality, youll never go wrong with this system. This makes it light to move around and durable. Audio interfaces are ultimately judged on their sound quality and the AXR4 boasts some eye-catching numbers; up to 384kHz recording rates via 32-bit integer resolution. All in all, if you are looking for a compact and sturdy audio interface for your home studio, you should definitely take a look at the SSL 2+! This is a flagship audio-interface for professional engineers, songwriter, and producers. Stunning audio quality with ultra high-resolution recording rates and gorgeous preamps designed with Neves involvement. Read those numbers again: 384kHz! And call me old-school, but I like the inclusion of MIDI I/O, something thats a glaring omission with some other interfaces in this class. AXR4 or Apollo UAD X6 for CUBASE Pro - Steinberg Lounge - Steinberg Forums AXR4 or Apollo UAD X6 for CUBASE Pro Steinberg Lounge computer-and-devices snlabrecque October 11, 2020, 3:38pm #1 Trying to decide between these two interfaces. VCM was developed by an engineering group led by Toshifumi Kunimoto (aka Dr. K), who was also responsible for the first physical modeling synthesizers, VL1 and VP1. Luckily, technology has advanced enough to offer both connectivity options and high-quality preamps at a low price. Which audio interface is the best choice for music production right now? Besides modeling the functionality of a circuit and the interaction between single components, VCM focuses on an unprecedented musical simulation of analog sound qualities, including typical characteristics like saturation and non-linearity subtleties that simple digital simulations cannot capture.Each effect is carefully analyzed by some of the best ears in the business and tweaked to provide the best-sounding results in todays pro sound environment. Once again, like with the 2i2, the 2i4 is a great first interface. The newer version of the Apollo series brings a lot to the table for a high-end interface. Unfortunately, the unit doesnt ship with a Thunderbolt cable, so thats at least an extra 30 that you will need to spend. The compact size allows it to be carried wherever you like, adding even more to its value. The only problem is that all these features come at a price that is pretty high compared to the previous audio interfaces we checked out. The X8 provides up-to 24-bit/192kHz conversion to its eight channels of analogue I/O. It features a big volume knob on top of the interface that is easy to reach, along with meters that allow you to check your recording levels at a glance. If youre just starting out, youre probably on a budget. If you require more than the 28 inputs and 24 outputs available at base sample rates on a single AXR4, you'll need to stack multiple units: a single computer can host up to three of the devices, for a potential 84 ins and 72 outs. It overshadows most high-end audio interfaces in terms of power and pristine sound. This insane interface from Steinberg was very hyped at NAMM this year, and if their track record as a company is anything to go off, then the AXR4 will be a hit in studios worldwide. If you want a more traditional audio interface, maybe give the One a miss. The interface has onboard processing capabilities, too, providing DSP support to Apogees FXRack plug-in suite. The SSL 2+ is a high-quality audio interface made by Solid State Logic. Probably going to need more inputs.Need to output to multiple pairs of speakers? And its insanely good value. BA1 1UA. With the LSlot technology, you can connect your Aurora(n) to Mac or Windows PC or use it as a standalone AD/DA converter via Dante, DigiLink, among other connections. Focus on musical FX, leads, pads and cinematics, Manipulate new horn, guitar and synth samples. Though its kind of like dongle city (to hide the clutter on your desk) with this interface, it certainly works well. All of the I/O (other than the AES3 channels) is on full-size connectors, though there is minimal clearance in between the quarter-inch jacks on the rear; and although the front-panel display is small, it's bright, colourful and clear, and capable of metering all 28 inputs and 24 outputs (at base sample rates) at once. Its longevity of 20 years makes it known. Consumers are not pleased with the warranty. Audio interfaces can come with a variety of features, and depending on your needs, you need to know what to look for.There are five main factors to consider: There are many types of connectors that audio interfaces. On the downside, certain parameters such as direct monitoring have to be changed through the computer, which makes it a little annoying, as it could have featured physical buttons. Two digital connectors mean the AXR4 can easily be expanded with eight channel mic preamps of choice, as in most live recording scenarios a higher count of microphone inputs is needed. Life is easier if you choose to organise the AXR4 via software, though, within which a more traditional mixer arrangement provides intuitive assignment of levels, monitor effects, routing options and more via a dedicated control panel. No one else combines price and quality features better than Apogee. Plus, it comes with 48V of phantom power as well as zero-latency monitoring. You get what youd expect from an interface at this price point 2 inputs and 2 outputs, but there are a lot of premium features too, such as the Vintage Mic Preamp and MIDI in/out. The AXR4 supports sample rates up to 384kHz, at word lengths of up to 32 bits, and employs a technology called Super Suppression Phase Locked Loop to deliver supernaturally low levels of jitter. Dimensions (W x H x D): 480 x 45 x 378 mm. three changing cultural practices in australia,

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